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T-MAC. Клуб фанов лучшего баскетболиста мира - Tracy Lamare McGrady!!!
Tracy McGrady, known to the world as “T-Mac,” was born on May 24, 1979 in Bartow, FL., to Melanise Williford. He grew up in Auburndale, FL., and is the product of an area called “The Hill” in Auburndale. A quaint town of about 9,000, it is surrounded by lakes and rests between Orlando and Tampa. Tracy’s family has been a major influence in his life. Raised by his mother, Melanise and grandmother, Roberta, Tracy grew to know both women as “Mom.
High School
At Auburndale High, he quickly became a two-sport star. He loved baseball and had aspirations of playing in the Major Leagues. Some Auburndale coaches were certain that McGrady would be playing in a Major League ballpark instead of on an NBA court.
Tracy’s hoops tale began in his junior year at Auburndale High. He averaged 23.1 pts and 12.2 rebounds a game with the Bloodhounds during the season. But despite the great numbers, Tracy was not receiving the type of attention that someone with his talents normally got. The only schools that showed interest in him were Florida and Miami.
After his junior year at Auburndale High School in Florida, he was invited to play in the ABCD Camp. Tracy was still looking for a way to put himself on the map and let the basketball world know who he was. During the senior all-star game, he dribbled down the left wing on a fast break and found only James Felton, a 6’9” blue-chipper from NJ committed to St Johns, between him and the basket. Tracy went up, cupped the ball in his right hand, and threw down a windmill dunk over James. He sent the whole gym into frenzy. “After I made that dunk, I had chills run through my body. It’s like the moment I knew I had finally arrived,” Tracy said. The recruiting newsletter “Hoop Scoop” praised Tracy as “the sleeper of the decade.” While he was not included in the list of the top 500 prospects before the summer, Tracy was ranked #2 behind Lamar Odom, in the next edition of the list. He was even featured in a 3-page article in the February 10, 1997 issue of Sports Illustrated.
Joe Hopkins, the basketball coach at Mount Zion Christian Academy in Durham, North Carolina, received a call about Tracy from Alvin Jones Jr., a basketball coach at Kathleen High, a neighboring High School to Auburndale High. While in the area, Hopkins stopped by to meet with Tracy and his “moms.” Hopkins offered Tracy a scholarship to Mount Zion, and the rest is history.
His senior season he transferred to play one year at Mount Zion Christian Academy in North Carolina, which turned out to be a very successful experience. Tracy has said that Joe Hopkins has been a big part of his life. Joe taught him to respect others, himself, and the game. “He’s my backbone,” Tracy says. “If it weren’t for Coach Hopkins, none of this would be possible.”
He led the Mighty Warriors of Mount Zion to a 20-1 record, earning the spot as the #2 team in the nation in USA TODAY’s Super 25. As a senior, he averaged 27.5 points, 8.7 rebounds, 7.7 assists and 2.8 steals per game while shooting .564 from the field, .389 from three-point range and .791 from the free throw line. He was named the USA Today “Player of the Year,” “Player of the Year” in the state of North Carolina by The Associated Press, and was named to the McDonald’s All-American Team. By this time, Tracy had begun receiving the attention from all the top schools that he never heard from early in his high school career. As Tracy was getting set to commit to Kentucky, he was also receiving an abundance of interest from NBA teams and agents. Tracy wrestled with the decision, but ultimately decided to take his talents to the NBA rather than attend college.
The NBA
The 6-foot-8, 200-pound prep-star, who played all five positions at Durham’s Mount Zion Christian Academy, announced his decision to make himself available for the June 25 1997 NBA draft. “I feel this is the best decision for me and my family,” said Tracy, “I considered college, but my dream is t

<<PUSHMONKEY>>. Техаская Группа Pushmonkey
Дискография:
Last album = Maize (1994)
This album = Pushmonkey (1998)
Next album = El Bitché (2001)
This album = Year Of The Monkey (2005)
Pushmonkey
Состав группы:
*Tony Park – lead vocals, trumpet
*Darwin Keys – drums, vocals
*Will Hoffman – guitar, vocals
*Pat Fogarty – bass, vocals
*Howie Behrens – guitar, vocals
Жанр: Rock,Hard Rock,Post Grunge
К большёму сожалению историю и биографию группы найти на русском языке не удалось (((
Биография группы на английском
It was a balmy April day, the kind of day that feels like the damp air of a band rehearsal room. Pushmonkey needed to take a break from writing for their fourth full length release, so in true Pushmonkey fashion, the guys loaded up in their trusty red Ford F-250 van and headed to Suzi’s Chinese Kitchen.
“I remember eating at Suzi’s that day and talking about possible titles for the new CD,” drummer Darwin Keys explains. “I remember throwing out Misfortune Cookie as a possible title and getting a laugh from the waiter. As he was carrying our food to the table, he says in broken English, “maybe the year of the monkey will bring good luck to you.” And then he spills an entire plate of mu-shu pork on Will’s lap. I mean if that is not a sign from God, I don’t know what is. How money is hot pork in spicy, tangy brown sauce on Will’s lap with a side of ancient Chinese wisdom? We all felt it in our laps, err, our hearts that this truly would be the YEAR OF THE MONKEY. The CD title debate ended right then and there.”
Not all decisions in the band are made by tragic restaurant mishaps. CD titles aside, the biggest problem the band needed to resolve was who would produce the new CD and help stretch the band’s artistic limits? “I ran into Paul Leary one day and gave him a CD of some demo’s that we had recorded. I didn’t think I would hear back from him, and then he called. It’s not everyday that a band gets to work with a producer like Paul Leary,” says bassist Pat Fogarty.
For those not in the know, Paul Leary is the outer space guitar player in the legendary band Butthole Surfers and multi-platinum producer of bands including Sublime and U2. Howie goes on to say, “Paul is the perfect producer for us. When you have five strong-minded people in a band like ours, it is important to have a producer that we all trust and respect. Paul fit that role perfectly. This was the most fun I’ve ever had recording. We‘ve had some hard times these last few years. It was good to have fun again.”
With the 2001 release of El Bitche, Pushmonkey was poised to take advantage of the momentum produced by two years of hard touring with the likes of Godsmack, Kid Rock, Fuel and the Ozzfest. “Then 9-11 happened,” singer Tony Park laments. “A few days after our CD came out, the tragedy happened. That event put a lot of things into perspective for us and I’m sure for everyone else in the States. We all struggled in our own ways. Writing for this new CD has been therapeutic to say the least.”
Fast-forward three years and Pushmonkey is about to do what they do best, releasing a new CD and playing to their loyal fans. The Year of the Monkey is their most adventurous and emotionally charged release to date. Guitarist Will Hoffman sums it up, “We’ve been a band for a long time and we can be our own worst critics. Recording this CD got us in touch again with one another and I think it comes through in the songs. We couldn’t be happier, like a family with a new baby that has all his toes.”
On celebrating the CD release, Will explains, “It is tradition that we go out to a nice restaurant the day the CD comes out. We’ve decided on steak. It’s easier to scrape off my lap than Chinese food.”
EVOLU

GTA5 Next gen. ps4. Rus22Artyom, braker1348. здесь собираются задроты в гта5 на ps4

GTA5 Next gen. ps4. Rus22Artyom, braker1348

Principality of Sealand. During the Second World War, the British government built several Fortress islands in the North Sea to defend its coasts from German invaders. Some of these forts were built illegally in international waters.
One of these illegal Fortresses, consisting of concrete and steel construction, was the famous Fort Roughs Tower, situated slightly north of the estuary region of the River Thames, on the east coast of the United Kingdom. In contrast to the original plan to locate the tower within the sovereign territory of the UK, this fortress was situated at a distance of approximately 7 nautical miles from the coast. This is more than double the then applicable 3 mile range of territorial waters. To put it briefly, this island was situated in the international waters of the North Sea.
The forts were abandoned in the early 1950’s and, due to their illegal construction in international waters in a time of world crisis, they should have been destroyed, to comply with international law. Except for the aforementioned fortress, similarly located fortresses were subsequently pulled down. The result of this was the portentous uniqueness of the fortress. Fort Roughs Tower, situated on the high seas, had been deserted and abandoned, res derelicta and terra nullius. From a legal point of view, it therefore constituted extra-national territory.
In the early 60’s, Roy Bates, a Major in the British army, established a radio station, situated offshore on an abandoned ex naval fort named “Knock John”. The theory behind this location was an attempt to bypass the draconian broadcasting restrictions of the time, which permitted little more than formal broadcasting by the BBC. Roy’s station, “Radio Essex”, and others like it, were known affectionately by the media as “Pirate” radio stations, and were much loved by the British public, as they supplied everything that the BBC did not at the time, Pop music and amusing presenters.
In the years than ensued, Roy fought an unsuccessful legal battle with the UK government, which questioned the legality of his occupation of said fort. It was ruled that “Knock John” fell under UK jurisdiction. Smarting from his setback, Roy weighed his options. Another abandoned fortress, Roughs Tower, identical in construction to the Knock John existed further offshore, and crucially, outside of the three mile limit to which the UK jurisdiction extended. Roy proceeded to occupy Roughs Tower, on Christmas eve 1966, with the intention of revitalising his dormant radio station. This was until he conjured a different plan entirely. After consulting his lawyers, Roy decided to declare this fortress island the independent state of “Sealand”, Claiming “Jus Gentium” (“Law of Nations”) over a part of the globe that was “Terra Nullius” (Nobody’s Land).
On the 2nd of September 1967, accompanied by his wife Joan on her birthday, his son Michael (14), daughter Penelope (16) and several friends and followers, Roy declared the Principality of Sealand. The founding of this country was marked by the raising a newly designed flag, and in an extremely romantic birthday gesture, the bestowing of a new title on his beloved wife, to be know from that moment on as “Princess Joan”.
It was not long before the British Government decided they could not have what ministers described as a possible “Cuba off the east coast of England”. The military were promptly dispatched to destroy all other remaining forts located in international waters. The Bates family looked on as huge explosions sent the massive structures hurtling hundreds of feet in the air and twisted and buckled debris floated past Sealand for days.
Helicopters that had carried the explosives buzzed menacingly above, and the navy tug carrying the demolition crew passed close by our fortress home and shouted “You’re next!” with an angry waving of arms. A while later a government vessel steamed to within fifty feet of Sealand, its boisterous crew

Principality of Sealand

50cent G unit. Candy Shop (оригинал 50 Cent)
[Intro: 50 Cent]
Yeah...
Uh huh
So seductive
[Chorus: 50 Cent & Olivia]
[50 Cent]
I take you to the candy shop
I'll let you lick the lollypop
Go 'head girl, don't you stop
Keep going 'til you hit the spot (woah)
[Olivia]
I'll take you to the candy shop
Boy one taste of what I got
I'll have you spending all you got
Keep going 'til you hit the spot (woah)
[Verse 1: 50 Cent]
You can have it your way, how do you want it
You gon' back that thing up or should i push up on it
Temperature rising, okay lets go to the next level
Dance floor jam packed, hot as a teakettle
I'll break it down for you now, baby it's simple
If you be a nympho, I'll be a nympho
In the hotel or in the back of the rental
On the beach or in the park, it's whatever you into
Got the magic stick, I'm the love doctor
Have your friends teasin you 'bout how sprung I gotcha
Wanna show me how you work it baby, no problem
Get on top then get to bouncing round like a low rider
I'm a seasons vet when it come to this shit
After you broke up a sweat you can play with the stick
I'm tryin to explain baby the best way I can
I melt in your mouth girl, not in your hands (ha ha)
[Chorus: 50 Cent & Olivia]
[50 Cent]
I take you to the candy shop
I'll let you lick the lollypop
Go 'head girl, don't you stop
Keep going 'til you hit the spot (woah)
[Olivia]
I'll take you to the candy shop
Boy one taste of what I got
I'll have you spending all you got
Keep going 'til you hit the spot (woah)
[Bridge: 50 Cent & Olivia]
Girl what we do (what we do)
And where we do (and where we do)
The things we do (things we do)
Are just between me and you (oh yeah)
[Verse 2: 50 Cent]
Give it to me baby, nice and slow
Climb on top, ride like you in the rodeo
You ain't never heard a sound like this before
Cause I ain't never put it down like this
Soon as I come through the door
she get to pullin on my zipper
It's like it's a race who can get undressed quicker
Isn't it ironic how erotic it is to watch em in thongs
Had me thinking 'bout that ass after I'm gone
I touch the right spot at the right time
Lights on or lights off, she like it from behind
So seductive, you should see the way she wind
Her hips in slow-mo on the floor when we grind
As Long as she ain't stoppin, homie I aint stoppin
Drippin wet with sweat man its on and popping
All my champagne campaign, bottle after bottle its on
And we gon' sip til every bubble in the bottle is gone
[Chorus: 50 Cent & Olivia]
[50 Cent]
I take you to the candy shop
I'll let you lick the lollypop
Go 'head girl, don't you stop
Keep going 'til you hit the spot (woah)
[Olivia]
I'll take you to the candy shop
Boy one taste of what I got
I'll have you spending all you got
Keep going 'til you hit the spot (woah)
[Chorus: 50 Cent & Olivia]
[50 Cent]
I take you to the candy shop
I'll let you lick the lollypop
Go 'head girl, don't you stop
Keep going 'til you hit the spot (woah)
[Olivia]
I'll take you to the candy shop
Boy one taste of what I got
I'll have you spending all you got
Keep going 'til you hit the spot (woah)
Кондитерский магазин (перевод)
[Вступление: 50 Cent]
Да,
У-у,
Так соблазнительно.
[Припев: 50 Cent & Olivia]
[50 Cent]
Я приведу тебя в кондитерский магазин
И дам полизать леденец на палочке.
Вперёд, девочка, не останавливайся,
Не останавливайся, пока не достигнешь цели. (о-о!)
[Olivia]
Я приведу тебя в кондитерский магазин.
Малыш, стоит тебе только попробовать то, что у меня есть,
И тебя за уши не оттянешь – потратишь все деньги.
Не останавливайся, пока не достигнешь цели. (о-