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аквариумный комплекс б/у,есть все.нехватает рыб и все

>>>.....Citizen Cope.....>>>. Группа хорошей и качественной музыки
на вкус
Something is great about this one. The phrase buzzed around in my head, mixing with the endorphins that cracked and snapped about their different relays, telling me that I liked this music. This music is good. The beer in your hand is good.* You are loving this, aren't you? Aren't you?
Singer/Song Writer, Citizen Cope recently headlined in Towson's Recher Theatre, a large dimly lit room washed in blood red drapes. Two bars, bouncers at the door who think they're funny, an entrance covered in music posters: enough ambiance to make you dream of owning rooms filled with nothing but silk pillows and feathery boas. Brilliance -- all of it.
His music is simple to the point of being stripped down, as if bearing it all was the only way to get our attention. The Spartan band behind him was made up of a drummer, a bassist, two keyboardists, and Cope on guitar. A mix of hip-hop, folk, and blues his songs are mostly beats - mix bass drum, high hat, snare, clap track and repeat - buffed smooth by a haggard, road-weary voice. Uncommon chords for texture and keyboards for lift.
I was there in the middle of a crowd that hung on Mr. Cope's every word. You have probably been in a situation like this one before. If you have seen a favorite artist live, you know the procedure. Stand elbow to elbow with lovers in varied states of decay - high school to golden years - and you reach clumsily into your bag of lyrics, struggling to throw them out in time with everybody else. Nevertheless, you dance, sway back and forth and put your chin to your chest to feel that beat and buzz in your rib cage. Somebody screams, You're melting my face! Artist finishes up a song and you try to guess what's coming next. You are loving this, aren't you?
But even as I enjoyed myself like everyone else, the experience unsettled me. Cope is an intensely powerful lyricist. Without useless contemplation or pretension, you sense a plain type of grief laced in his words. A grief at once deeply personal, but one that managed to untether me from the scene, causing me to think about what I was listening to. His song topics range from a laundry list of tragedy in Let the Drummer Kick That to exploration of danger of American jingoism in Bullet and a Target. One of my favorites, his song Penitentiary taps into fears for a culture growing more trapped by fear and war: Well I'm waiting on a time when people walk free to see/From the penitentiary in our mind/When there's no need to bleed/For your father/Or your son.
One Rolling Stone critic called him a modern day bluesman who paints a plaintive portrait of the human condition. Another, not-so-friendly critic from music and culture website, SoundtheSirens said: I'm sure there's some soulful guy with a guitar who can write better songs sitting in some coffee shop somewhere who deserves the exposure more than he does. This may be warranted, I just happen to disagree.
As a balding-twenty-something tapped his toe to the beat of Sideways against my heal, I was reminded of a perplexing moment a few months prior. I had created a Citizen Cope station on an Internet radio website called Pandora. If you have not used Pandora before, its program takes an artist that you give it and plays the music of similar artists based on style and genre.Normally, Pandora is right on, accurate as anyone could hope for. But the artists that Pandora surrounded Cope with -- Damien Rice, Jack Johnson, Ryan Adams, Howie Day, Beck -- sound nothing like him, perhaps Beck being the closest. I won't say that no one sounds like Citizen Cope -- that cannot be justified. However, one has serious trouble placing him in any sort of context. This frustrates me, because I need musical landmarks,

>>>.....Citizen Cope.....>>>

Hit OverDose | Ударная передозировка. Во имя гильдии KPI Next Gen, клуба Hit OverDose и всех наших воинов, всем чалика!

Hit OverDose | Ударная передозировка

Игромонстры. Сдесь собираются настоящие ценители Hi-End, Next-Gen игр! Фаны Игромании и тп!! Ванючие казуальщики сдесь не нужны!! В этой группе будут обсужтаться все хитовые игры, а тыкже еще не вышедшие!!! Так же сдесь будут обсуждвться Новинки ЖЕЛЕЗНОГО мира!!

Игромонстры

Gregor Samsa. Gregor Samsa started as a project eight years ago by Champ and Nikki. A year or so later we grew into a proper band — the first of many transformations (little did we know our namesake would take on such a literal meaning). In our infancy we took on many shapes and sizes, most of which were utterly awkward and embarrassing, yet one could say they were still admirable in some way. Our first proper show was at a festival in Harrisonburg, VA in 2000. There were a lot of people there and we recall being quite nervous.
In the next three years we played a lot of shows, released two EPs and one nearly full-length album called 27:36. Around this same time, our label ran out of money and we did, too. Things started to slow down, but we managed to find someone who agreed to book us a European tour. After Europe, we came home and recorded a new full length album called 55:12 and soon after put out a split 12″ with the band Red Sparowes.
Again, with no label and no money, 55:12 sat around for a year before we finally decided to put it out. Things started looking up again and we did another Europe tour which went off quite well. In between this time we also did a few short tours in the US.
Over the years, more than thirty people have come and gone from the line-up, including, but not limited to, members of Spokane, Labradford, Kayo Dot, Ghastly City Sleep and Engine Down. Today, Champ and Nikki remain the only original members. Incidentally, it was for this reason they decided to marry in September 2007.
Most of us now reside in Brooklyn, NY where we record and rehearse, while the others are spread out on the east coast and Chicago. The current line-up consists of Champ’s brother William and their cousin Jeremiah, along with Cory (Antlers), Mia (Kayo Dot) and Toby (Kayo Dot). We have just finished a new record called Rest. It was written through email and then recorded over a period of 8 months or so in NYC. The record will be released in May on Kora Records in North America and Own Records in Europe.
________________________________________

Nekrogoblikon. They started as a summer side project of Nicky and Tim, but outgrew their humble beginnings quickly. Their debut album was recorded over Summer and early Fall of 2006. They released it themself, January 1st, 2007.
Next, they set out to put together a full band. They enlisted the help of Alex on vocals and Ashleigh on keyboards. Spencer Bartz joined on drums, and Alex A. and Austin joined the band on second guitar and bass. Spencer played many shows with the band in 2007, but then moved to Japan in August. They recruited Alex and Austin's friend Eddie Trager on drums to fill his mighty shoes. They are working on their second full-length album, currently untitled.