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>>>.....Citizen Cope.....>>>. Группа хорошей и качественной музыки
на вкус
Something is great about this one. The phrase buzzed around in my head, mixing with the endorphins that cracked and snapped about their different relays, telling me that I liked this music. This music is good. The beer in your hand is good.* You are loving this, aren't you? Aren't you?
Singer/Song Writer, Citizen Cope recently headlined in Towson's Recher Theatre, a large dimly lit room washed in blood red drapes. Two bars, bouncers at the door who think they're funny, an entrance covered in music posters: enough ambiance to make you dream of owning rooms filled with nothing but silk pillows and feathery boas. Brilliance -- all of it.
His music is simple to the point of being stripped down, as if bearing it all was the only way to get our attention. The Spartan band behind him was made up of a drummer, a bassist, two keyboardists, and Cope on guitar. A mix of hip-hop, folk, and blues his songs are mostly beats - mix bass drum, high hat, snare, clap track and repeat - buffed smooth by a haggard, road-weary voice. Uncommon chords for texture and keyboards for lift.
I was there in the middle of a crowd that hung on Mr. Cope's every word. You have probably been in a situation like this one before. If you have seen a favorite artist live, you know the procedure. Stand elbow to elbow with lovers in varied states of decay - high school to golden years - and you reach clumsily into your bag of lyrics, struggling to throw them out in time with everybody else. Nevertheless, you dance, sway back and forth and put your chin to your chest to feel that beat and buzz in your rib cage. Somebody screams, You're melting my face! Artist finishes up a song and you try to guess what's coming next. You are loving this, aren't you?
But even as I enjoyed myself like everyone else, the experience unsettled me. Cope is an intensely powerful lyricist. Without useless contemplation or pretension, you sense a plain type of grief laced in his words. A grief at once deeply personal, but one that managed to untether me from the scene, causing me to think about what I was listening to. His song topics range from a laundry list of tragedy in Let the Drummer Kick That to exploration of danger of American jingoism in Bullet and a Target. One of my favorites, his song Penitentiary taps into fears for a culture growing more trapped by fear and war: Well I'm waiting on a time when people walk free to see/From the penitentiary in our mind/When there's no need to bleed/For your father/Or your son.
One Rolling Stone critic called him a modern day bluesman who paints a plaintive portrait of the human condition. Another, not-so-friendly critic from music and culture website, SoundtheSirens said: I'm sure there's some soulful guy with a guitar who can write better songs sitting in some coffee shop somewhere who deserves the exposure more than he does. This may be warranted, I just happen to disagree.
As a balding-twenty-something tapped his toe to the beat of Sideways against my heal, I was reminded of a perplexing moment a few months prior. I had created a Citizen Cope station on an Internet radio website called Pandora. If you have not used Pandora before, its program takes an artist that you give it and plays the music of similar artists based on style and genre.Normally, Pandora is right on, accurate as anyone could hope for. But the artists that Pandora surrounded Cope with -- Damien Rice, Jack Johnson, Ryan Adams, Howie Day, Beck -- sound nothing like him, perhaps Beck being the closest. I won't say that no one sounds like Citizen Cope -- that cannot be justified. However, one has serious trouble placing him in any sort of context. This frustrates me, because I need musical landmarks,

>>>.....Citizen Cope.....>>>

Bob Marley. We remember the brilliant and evocative music Bob Marley gave the world; music that stretches back over nearly two decades and still remains timeless and universal. Marley has been called the first Third World superstar, Rasta Prophet, visionary, and revolutionary artist. These accolades were not mere hyperbole. Marley was one of the most charismatic and challenging performers of our time.
Bob Marley's career stretched back over twenty years. During that time Marley's growing style encompassed every aspect in the rise of Jamaican music, from ska to contemporary reggae. That growth was well reflected in the maturity of the Wailers' music.
Bob's first recording attempts came at the beginning of the Sixties. His first two tunes, cut as a solo artist, meant nothing in commercial terms and it wasn't until 1964, as a founding member of a group called the Wailing Wailers, that Bob first hit the Jamaican charts.
The record was Simmer Down, and over the next few years the Wailing Wailers -- Bob, Peter Mclntosh and Bunny Livingston, the nucleus of the group -- put out some 30 sides that properly established them as one of the hottest groups in Jamaica. Mclntosh later shortened his surname to Tosh while Livingston is now called Bunny Wailer.
Despite their popularity, the economics of keeping the group together proved too much and the two other members, Junior Braithwaite and Beverley Kelso, left the group. At the same time Bob joined his mother in the United States. This marked the end of the Wailing Wailers, Chapter One.
Marley's stay in America was short-lived, however, and he returned to Jamaica to join up again with Peter and Bunny. By the end of the Sixties, with the legendary reggae producer Lee Scratch Perry at the mixing desk, The Wailers were again back at the top in Jamaica. The combination of the Wailers and Perry resulted in some of the finest music the band ever made. Tracks like Soul Rebel, Duppy Conquerer, 400 Years, and Small Axe were not only classics, but they defined the future direction of reggae.
It's difficult to properly understand Bob Marley's music without considering Rastafari. His spiritual beliefs are too well known to necessitate further explanation. It must be stated, however, that Rastafari is at the very core of the Wailers' music.
In 1970 Aston Familyman Barrett and his brother Carlton (bass and drums, respectively) joined the Wailers. They came to the band unchallenged as Jamaica's HARDEST rhythm section; a reputation that was to remain undiminished during the following decade. Meanwhile, the band's own reputation was, at the start of the Seventies, an extraordinary one throughout the Caribbean. However, the band was still unknown internationally.
That was to change in 1972 when the Wailers signed to Island Records. It was a revolutionary move for an international record company and a reggae band. For the first time a reggae band had access to the best recording facilities and were treated in the same way as a rock group. Before the Wailers signed to Island, it was considered that reggae sold only on singles and cheap compilation albums. The Wailer's first album, Catch A Fire broke all the rules: it was beautifully packaged and heavily promoted. And it was the start of a long climb to international fame and recognition.
The Catch A Fire album was followed a year later by Burnin', an LP that included some of the band's older songs, such as Duppy Conquerer, Small Axe, and Put In On, together with tracks like Get Up Stand Up and I Shot The Sheriff (which was also recorded by Eric Clapton, who had a #1 hit with it in America).
In 1975 Bob Marley & The Wailers released the extraordinary Natty Dread album, and toured Europe that summer. The shows were record

eyeliner is spiffy. About me?
Well lets see, my name is Scotty.
I am tall and have bad posture.
I am easily noticable.
Some people are intimidated by me.
Dont be.
I'm a pushover.
Dont talk shit.
Im the nicest person I know.
People like my hair.
I am still becoming who I am.
You think you can amaze me?
Go for it.
Yes I am a FAGGOT, so stop asking.
Dont point out my flaws, I already know them.
Dont even try to change me.
I'm not letting anyone hold me back from expressing myself.
Thats all you need to know.
I'd like to meet REAL people with REAL feelings.
People that actually enthuse the concept of LIFE and possess the ability to PARTY HARD
People that DONT spread drama like an insatiable plague.
Intelligent people, that can hold a conversation with ME
People that DONT distort reality with their negligence and their irrational lies.
And Furthermore...People that DONT lead me on with their complete and utter bullshit.
SIMPLE
†Respect my purity and gullibility.†
All my life I've been interested in music, obviously, just like every other teenager alive. I taught myself the piano and keyboards ever since the age of five. I thought I would put some of my skills to use. In the summer of 2006 when I was 15 years old, I recorded my first amusing single, I Like Your Hair at the Headroom Studio in Nashville, TN. We had no idea it would erupt into something this big. I find music fun and I never take it too seriously. You have to just go with the flow and whatever feels right. I am still becoming who I am. I can't define myself just yet. I am intangible. My upbeat style has crazed teens nationwide. I can only keep getting better. On the other hand, I plan to go to cosmetology school after I graduate to broaden my horizons in the hair and make-up fields. Intertwining music with style is what I do. Just be creative and be yourself.
Yes, I do get quite alot of hate mail.
But I guess everyone can't love me.
Just remember, hating me wont make you pretty.
Don't call me a rip-off of Kelly or Jeffree star.
I do not want to be a transvestite.
I am not Emo.
I am Scotty Fucking Vanity.
Get used to it, bitches.
I am the next big thing.
†Have a nice day!†

eyeliner is spiffy

Next Generation May Littl pony. Здесь вы сможете увидеть нашу вариацию вселенной по MLP Next gen

Next Generation May Littl pony

Liquid Ace ©. Nicola Capobianco, based in switzerland, became already at an early age addicted to the magic of electronic music. He started playing progressive trance in the end of 1993. After many years of djing and producing, he has played and performed on big raves next to people like Paul Van Dyk, Tiesto, Armin van Buuren etc. etc. In 2001, he decided to start a new project and Liquid Soul was born. After many releases on top labels and playing in brasil, japan, mexico, uk, germany, greece, israel, portugal, belgium, austria, hungary, italy...., the long awaited debut album of Liquid Soul, released on Iboga Records, hits the street in 2006 and was the best selling album in the progressive scene in this year. With perfectly produced pumping tunes he rocked the progressive dance floors all over the globe. It's a milestone in the Iboga records catalogue. Beside of his solo projects Liquid Soul and Sleek, he is also a part of the project earsugar (Liquid Soul & dj martin).
Behind the Ace Ventura project is Yoni Oshrat - one ofIsraels biggest talents in electronic music, with a career ontop of the scene, stretching for over a decade. Already froman early age Yoni was heavily influenced with music. He was born in a musical family with his father being a famousIsraeli composer and song writer (for instance behind the Eurovision song Halelujah), and it was therefore no surprise that he went for a career in the sound-business; at first inthe TV and movie-industry as a sound producer.After discovering the blooming trance-scene in the beginning ofthe nineties, he started DJ'ing and teamed up with his friend DJ Goblin to form the psychedelic trance project Children OfT he Doc, which later changed name to PSYSEX. Togetherthey released 3 critically-acclaimed full length albums on HOMmega Productons, and played a big part in establishing Israel as one of the most important trance-countries on the globe.After several years of intense touring, playing at some of the biggest parties and festivals worldwide, Yoni's taste moved more and more towards the slower, groovier side of music though, and from 2006 he took the decision to leavethe Psysex project and form the two soloprojects SCHATSI and ACE VENTURA. With Schatsi he was quickly featuredon labels like Hadshot and Mylo's Breastfed Recordings,and top DJ's like John Digweed played some of his materialon numerous occasions. More attention was put into the Ace Ventura project though, and using a fusion of the hard, pumping dancefloor-oriented style from Psysex and the deeper, groovier influences of progressive trance, the Ace Ventura project became a big success, and in a matter ofjust a few releases, such as the now classic debut Cardiac Arrest, he was already considered among the topproducers on the progressive trance scene.After appearing on releases on labels like Flow, Echoes, Blue Tunes, Spintwist, HOMmega and Iboga Records he finally released his debut solo album Rebirth in 2007, which was without a doubtone of the biggest releases of the year. It resulted in Ace Ventura winning the Psytrance category at the BeatportMusic Awards in 2008.About one year later the album was followed by a remix album Re:Boot, which contained two CD's with remixes by various progressive trance, house, electro house and techno artists. This release, together with the release of The Spark, the summer anthem remix of FREq's Short Life Again as well as a collaborations with various artists - also resulted in Ace Ventura winning the Psytrance category at the Beatport Music Awards in 2009,For the second year in a row. Recently releases such as 'Inside us' (together with Timelock) and the Interactive noise remix for the classic tune 'Presence' have reached the first place in the Beatport psytrance charts.Despite playing all around the globe, at major events from Boom in Portugal,XXXPerience, Tribe and U