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МУЗЕЙ КОЛОКОЛЬНОГО ЗВОНА

МУЗЕЙ КОЛОКОЛЬНОГО ЗВОНА

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Группа о деятельности единственного в Сибири Музея колокольного звона

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Ω Lacrimas Profundere Official Rock'N'Sad Crew Ω. „You must have chaos within you, to give birth to a dancing star” (Friedrich Nietzsche). That must have been what the Schmid brothers had in mind when Christopher (former vocalist, and still songwriter and indispensable asset of the band) came up with the title and cover of their new album “Bleeding The Stars”.
Without chaos, no creativity – and both are the driving force behind every new adventure. Adventures that, as of now, Lacrimas Profundere (Latin for shedding tears) have experienced in 30 countries, far away from LA’s dazzling theatres. Always with the firm intention to present their band not only in the club next door but worldwide, like for example in Peru or Tokyo.
This unconditional devotion to their own music, the passion to never give up despite all the setbacks but to grow through countless curious, sometimes even strange stories: all this has helped the melancholiacs from Munich to outlast various musical trends over the last 26 years.
But before glancing into the future let us look back: originally starting as a death-doom metal band in 1993, they went the gothic route over time. In 2004, their album AVE END paved the way for their subsequent album FILTHY NOTES FOR FROZEN HEARTS (2006). This chart album is considered a personal milestone, making HIM-fan and US Jackass star BAM MARGERA take notice: Not only was “And God’s Ocean” from SONGS FOR THE LAST VIEW covered by both Bam Margera and Alissa White-Gluz, it also served as background music for “DAS TOTE MÄDCHEN”, an episode of the ZDF’s Monday evening crime show NACHTSCHICHT.
Where’s the adventure, you ask? Well, with THE GRANDIOSE NOWHERE (2010) they toured south America and later China as the headliner. ANTIADORE (2013) – guest composer being none other than RICKY WARWICK (The Almighty, Thin Lizzy, Black Star Riders) – enabled their first world tour. Japan, Korea, Mexico, no matter where: “Ave End”, “My Velvet Little Darkness“, “Again It´s Over“, “My Release In Pain“ – the audience knew the lyrics to all of these songs.
With OBLIVION/SPV as their new partner they produced their first concert album titled HOPE IS HERE in 2016. It immediately reached the TOP 30 of the German Charts. Metal Hammer acknowledged the album as well: it was picked for the TOP 10 ranking by not 1 but 2 editors for their charts of the year. With a tour under their belt to support In Extremo and them being the headliner in the motto shows HOPE IS HUMAN (some of those being sold out completely) 2017 provided the next adventure and the next highlight in their band history: a visit to Dubai as the first international gothic band.
“When people travel from crisis zones like Syria or Iran to watch us for one evening and sing along to HOPE IS HERE with closed eyes – ‘getting chills’ doesn’t give the feeling justice”, Olly explains after the concert.
But, as Isaac Newton put it: “What goes up, must come down”, problems were bubbling under the surface. Oliver’s request to return to the sound of their old epic death-doom past wasn’t met with approval from most of the band. If anything, Rob, their vocalist, wanted to leave this kind of music behind for good, but was torn to leave the band after 10 long years. The tour took its toll and new, cherished passions were becoming more and more important for parts of the band.
There were several discussions until Oliver realized that in order for the band to live, they had to kill it first. He and Christopher turned to songwriting to find the band’s soul and essence again. “These songs are so much more because we had to give it our all”, he reminisces. But rising from the ashes also meant a new vocalist had to be found for Lacrimas Profundere. That’s when Olly remembered a young talented guy by the name of Julian Larre, who made an impact on him with his cover versions of such different acts as “Asking Alexandria”, “Slipknot” or “HIM” on YouTube. However, between their first contact and the

Ω Lacrimas Profundere Official Rock'N'Sad Crew Ω

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Gregor Samsa. Gregor Samsa started as a project eight years ago by Champ and Nikki. A year or so later we grew into a proper band — the first of many transformations (little did we know our namesake would take on such a literal meaning). In our infancy we took on many shapes and sizes, most of which were utterly awkward and embarrassing, yet one could say they were still admirable in some way. Our first proper show was at a festival in Harrisonburg, VA in 2000. There were a lot of people there and we recall being quite nervous.
In the next three years we played a lot of shows, released two EPs and one nearly full-length album called 27:36. Around this same time, our label ran out of money and we did, too. Things started to slow down, but we managed to find someone who agreed to book us a European tour. After Europe, we came home and recorded a new full length album called 55:12 and soon after put out a split 12″ with the band Red Sparowes.
Again, with no label and no money, 55:12 sat around for a year before we finally decided to put it out. Things started looking up again and we did another Europe tour which went off quite well. In between this time we also did a few short tours in the US.
Over the years, more than thirty people have come and gone from the line-up, including, but not limited to, members of Spokane, Labradford, Kayo Dot, Ghastly City Sleep and Engine Down. Today, Champ and Nikki remain the only original members. Incidentally, it was for this reason they decided to marry in September 2007.
Most of us now reside in Brooklyn, NY where we record and rehearse, while the others are spread out on the east coast and Chicago. The current line-up consists of Champ’s brother William and their cousin Jeremiah, along with Cory (Antlers), Mia (Kayo Dot) and Toby (Kayo Dot). We have just finished a new record called Rest. It was written through email and then recorded over a period of 8 months or so in NYC. The record will be released in May on Kora Records in North America and Own Records in Europe.
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