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Мотоклуб "Ночные Валькирии" Крым

Мотоклуб "Ночные Валькирии" Крым

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nvwmcsev

Next Gen (ex.V1RUC) World of Tanks clan. Лучший клан в твоей жизни проводит набор.
Требования:
💪 от 1600 wn8,
💪 52% побед,
💪 наличие кланвар техники,
💪 отличный онлайн,
💪 наличие ТС.

Next Gen (ex.V1RUC) World of Tanks clan

>>>.....Citizen Cope.....>>>. Группа хорошей и качественной музыки
на вкус
Something is great about this one. The phrase buzzed around in my head, mixing with the endorphins that cracked and snapped about their different relays, telling me that I liked this music. This music is good. The beer in your hand is good.* You are loving this, aren't you? Aren't you?
Singer/Song Writer, Citizen Cope recently headlined in Towson's Recher Theatre, a large dimly lit room washed in blood red drapes. Two bars, bouncers at the door who think they're funny, an entrance covered in music posters: enough ambiance to make you dream of owning rooms filled with nothing but silk pillows and feathery boas. Brilliance -- all of it.
His music is simple to the point of being stripped down, as if bearing it all was the only way to get our attention. The Spartan band behind him was made up of a drummer, a bassist, two keyboardists, and Cope on guitar. A mix of hip-hop, folk, and blues his songs are mostly beats - mix bass drum, high hat, snare, clap track and repeat - buffed smooth by a haggard, road-weary voice. Uncommon chords for texture and keyboards for lift.
I was there in the middle of a crowd that hung on Mr. Cope's every word. You have probably been in a situation like this one before. If you have seen a favorite artist live, you know the procedure. Stand elbow to elbow with lovers in varied states of decay - high school to golden years - and you reach clumsily into your bag of lyrics, struggling to throw them out in time with everybody else. Nevertheless, you dance, sway back and forth and put your chin to your chest to feel that beat and buzz in your rib cage. Somebody screams, You're melting my face! Artist finishes up a song and you try to guess what's coming next. You are loving this, aren't you?
But even as I enjoyed myself like everyone else, the experience unsettled me. Cope is an intensely powerful lyricist. Without useless contemplation or pretension, you sense a plain type of grief laced in his words. A grief at once deeply personal, but one that managed to untether me from the scene, causing me to think about what I was listening to. His song topics range from a laundry list of tragedy in Let the Drummer Kick That to exploration of danger of American jingoism in Bullet and a Target. One of my favorites, his song Penitentiary taps into fears for a culture growing more trapped by fear and war: Well I'm waiting on a time when people walk free to see/From the penitentiary in our mind/When there's no need to bleed/For your father/Or your son.
One Rolling Stone critic called him a modern day bluesman who paints a plaintive portrait of the human condition. Another, not-so-friendly critic from music and culture website, SoundtheSirens said: I'm sure there's some soulful guy with a guitar who can write better songs sitting in some coffee shop somewhere who deserves the exposure more than he does. This may be warranted, I just happen to disagree.
As a balding-twenty-something tapped his toe to the beat of Sideways against my heal, I was reminded of a perplexing moment a few months prior. I had created a Citizen Cope station on an Internet radio website called Pandora. If you have not used Pandora before, its program takes an artist that you give it and plays the music of similar artists based on style and genre.Normally, Pandora is right on, accurate as anyone could hope for. But the artists that Pandora surrounded Cope with -- Damien Rice, Jack Johnson, Ryan Adams, Howie Day, Beck -- sound nothing like him, perhaps Beck being the closest. I won't say that no one sounds like Citizen Cope -- that cannot be justified. However, one has serious trouble placing him in any sort of context. This frustrates me, because I need musical landmarks,

>>>.....Citizen Cope.....>>>

Jasmine Sagginario. Восходящая звезда Уолт Диснея!!!
Jasmine Sagginario родилась в 1994 году в в семье испано-говорящего и итальянского наследия в Лос-Анджелеса, Калифорния.
Jasmine нравятся артисты:Miley Cyrus, Jonas Brothers, Jordan Pruitt
http://twitter.com/jasminemusicvip
http://www.myspace.com/jasminemusicvip
http://www.youtube.com/jasminemusicvip
Jasmine Sagginario (just Jasmine!) is an independent minded fifteen year old from Nashville Tennessee. Jasmine has dreamed of being a performer her entire life. She first got on stage when she was only four years old and has been performing ever since. Recently, Jasmine was thrilled to perform on the iShine tour. Additionally, Jasmine and her father, who has his own production company, put together her first album entitled, The Next Me. On her website Jasmine emphasizes that her CD is about being a leader not a follower. Of both Hispanic and Italian descent, Jasmine is very proud of her international heritage. Though very busy working on her music, Jasmine is also a dedicated student excelling in areas such as Math and Spanish. In her free time, Jasmine enjoys jumping on her trampoline, or just watching the Disney channel in her pajamas. Jasmine’s music style is pop/R&B similar to Lady Gaga and Britney Spears. For Radio Disney’s N.B.T, Jasmine’s single “Make A Movie” will be featured on Radio Disney will her single “Nothing Left to Say” will be streamed on RadioDisney.com

Jasmine Sagginario

Man Must Die. Metal / Death Metal / Grindcore
Состав
Joe McGlynn - Vocals
Alan McFarland - Guitar
Danny McNab - Bass
Matt Holland - Drums
Город: Glasgow
Страна: UK
Man Must Die formed in October 2002 in the underbelly of Glasgow, Scotland. It became evident that after the first rehearsal that something special was brewing, the songs practically wrote themselves and the intensity was devastating, four songs were quickly written and recorded in May of 2003. The band immediately set out to make a name for themselves by playing shows throughout the United Kingdom. One song was placed on the then MP3.com site and within two weeks, hit number one on the worldwide Death Metal chart. MMD also received an invitation to play Maryland Deathfest 2004 based solely on this first demo. The demo was sent out to a select number of labels and by August of 2003 the band had signed to Retribute Records.
Man Must Die recorded their first full length “…Start Killing” with producer JF Dagenais (Kataklysm/ Misery Index/ Despised Icon) in Glasgow during December of 2003. “…Start Killing” saw a May 2004 release and MMD worked steadily to promote the album in the UK and abroad. The band made their first US appearance at the Maryland Deathfest 2004 and spent months and months playing weekends and going on week-long runs.
MMD then took some time to consider their next move and returned to the studio with a new passion and aggression, seeing an almost new band begin to emerge. MMD began the writing process quickly and put down some new tracks to capture the new energy, this time attracting the attention of Relapse.
“To be a part of the Relapse family makes us proud. Relapse has always represented the best extreme in metal/grind and there isn’t a better suited label for MMD,” McFarland says, “and to be the first UK band to sign to Relapse is an honor in itself.”
In November 2006 Man Must Die traveled to Montreal, Canada and entered Studio Victor with producer JF Dagenais once again to begin work on their new full length and Relapse debut “The Human Condition”.
This new collection of tracks captures the ferocity and energy of MMD and mixes both their melodic and brutal sides with a more considered and mature approach to song writing. The level of aggression in “The Human Condition” is striking musically, but is driven home by a raging performance by vocalist Joe McGlynn. The band states; “It was important for us to capture what MMD is all about on this CD and we are happy with what has been created.”
The Human Condition saw a summer 2007 release and Man Must Die spent the following 18 months promoting the record in the UK and Europe, touring with bands such as Misery Index, Despised Icon, Beneath the Massacre, Kataklysm & Aborted.
In the late fall of 2008, Man Must Die welcomed new drummer Matt Holland into the fold, and immediately set about writing their 2nd Relapse album. In December of 2008 they entered Grindstone Studios, England, with producer Scott Atkins (Cinders Fall / Sylosis) to begin recording No Tolerance For Imperfection.
No Tolerance For Imperfection sees Man Must Die enter a new chapter in writing and musicianship, McNab says These songs are a new distilled version of Man Must Die, straight to the point lyrically and musically, super tight guitars, insane drumming, and vocals to tear your face off! This is the next step up for Man Must Die!
At last we feel Man Must Die have arrived - on all fronts, this is the album which we always knew we had in us, and we are super happy at the finished article. No Tolerance For Imperfection was recorded with painful precision and effort, we all sweated blood for this CD and cant wait to get this beast out. Every song has its own story and feel, lyrical concepts are as powerful as the music and this album is the first to feature new drummer Matt Holland.

Квартирник 2019: NEXT GEN 4K ULTRA REMASTER EDIT.

Квартирник 2019: NEXT GEN 4K ULTRA REMASTER EDIT